WORLD PREMIERE APRIL 30 NEW YORK STATE

Newest concerto by American superstar Augusta Read Thomas, April 30 at 8 pm at SUNY Fredonia, New York. Open to public and livestreamed.

This composer is full of ferocious joy and energy, and this relatively short (13′) concerto has enthusiastically kicked my butt for the last few months. I’m truly looking forward to the event of playing it live with the committed and strong students at SUNY Fredonia with their leader, Dr Paula Holcomb.

I have made mixed media art as an almost unconscious part of the reflection and integration of this challenging and dynamic and very new piece of music.

And here is a quote from the composer:

“Music for me is an embrace of the world – a way to open myself up to being alive in the world in my body, in my sounds, and in my mind.”— Augusta Read Thomas

 

 

 

Hear Me On The Radio, Saturday,January 22

CBC is re-broadcasting my episode of “This Is My Music” program on Saturday, January 22, 2022, 10 am – noon on CBC Music/Radio 2 and streaming live here
This is from the time that Canada’s national radio station asked me to highlight some of the music I love. This invitation was a career highlight that surprised me because thus I joined a really illustrious lineup of fellow-performer-guest-hosts. Check out some of the other stellar hosts.
And my show will be available online for streaming at on Friday morning, January 21 here.
And while technically this show is geo-fenced to Canada-only, I think that clever, persistent people from beyond our borders can find their way in somehow… not sure how, but it has happened!

NEW BASSOON ART ON SOCIETY6

Today we released another of the color versions of the artwork that Tobias Sid John has created for my book, Solitary Refinement.

The featured work was created for my Thank You page and is called Dedication. I love how Tobias captured the earnest, happy gratitude of the musician while keeping our eyes and imaginations focused on the transcendent bassoon.

There are about 50 new products with this lovely unicorn-coloured floating bassoon and the elfin, purple-booted bassoonist. Everything from stickers, notebooks, cards to T shirts, hoodies, cups, masks, comforters and even furniture.

Visit the store here to see all the products.

Solitary Refinement

 Solitary Refinement

UPDATED 

WITH ADDED FINGERING CHART​

AVAILABLE NOW!

Solitary Refinement – UPDATED!

Chromatics, Chords & Scales – Concepts for the Committed Bassoonist by Nadina Mackie Jackson

8 weeks on publisher’s Bestseller List!

The newest version of Solitary Refinement has all the music printed in a slightly larger format and an added fingering chart.

A musician’s journey never ends, and the work is often solitary. Fortunately for bassoonists, Solitary Refinement can be a trusted companion throughout their musical career, replete with exercises adaptable by bassoon students who are still developing their skills, all the way to virtuosi seeking to perfect their craft.

Drawing on her extensive career as a professional bassoonist and teacher, Nadina Mackie Jackson has assembled a comprehensive volume of technical exercises for the serious bassoonist. This book covers chromatic scales in many permutations and intervals, diatonic scales and chords, and exercises designed to strengthen fundamental basics, such as fingering, embouchure, double tonguing, vibrato, tuning and tone quality.

In elegant, accessible prose, Nadina Mackie Jackson also shares her wisdom on the importance and philosophy of technical practice, with sensible advice on how to build good habits. Beyond the exercises, this book also serves as a guide for bassoonists on how to set personal goals and develop a sustained practice that will nurture their musical growth over a lifetime.

Solitary Refinement is designed for the seriously committed bassoonist of any age to maintain, develop and expand their command of the bassoon, and will inspire players to see themselves in a world that combines musical passion and fundamental discipline.

Author Nadina Mackie Jackson

Music Editor Kevin Harris

Illustrator Tobias Sid John

Editor Cadence Mandybura

Available in softcover, hardcover and e-book. 440 pages (with new fingering chart!)

WHAT PEOPLE ARE SAYING

This is a serious book for any bassoonist aspiring to achieve a complete technique. There are many publications that provide localized road maps to developing technical facility. Nadina’s book is the Google Earth of technical methods – extraordinarily comprehensive and thorough in range.  Every page is an opportunity for challenge. Solitary Refinement is going to be my companion as I look to maintain and nurture my own playing.

Christopher Millard

Principal Bassoon
National Arts Centre Orchestra
University of Ottawa
January , 2021

 

…in my observation, it’s a great “next step” from my Weissenborn Practical Method that I’ve almost worn out. And I love the way the Table of Content is set up. I read it as more than practice, techniques, chromatic & scales. The beginning/ introduction reads like having a conversation with you where you share your journey and how you’ve set your goals. Your thoughts for a musician to improve, develop and understand what’s needed to become a complete musician is very well written and gives me a guide to continue my journey as a musician.Thank you.

Marcia McGill, December 2020

 

Your book is wonderful, Nadina. I’m reading ever so slowly but it’s both a balm and a challenge, and I am absolutely loving it. Just got to the swashbuckling/delicate opposites and laughed out loud, and not for the first time. So enjoying this romp through your brain.It’s brilliant. I know there are exercises in here somewhere, but honestly I’m hoping it’s mostly your insights. Your voice is so gentle and insightful. It’s going to join my “bibles”, the ones I come to over and over. Thank you for writing this.

Cassandra Bendickson, December 2020

It’s been a fascinating journey so far to explore new and familiar exercises and ideas and finding SO many things to work on. What I particularly love about your book is the explicit sense of there not being an endpoint in one’s technical mastery. There will always be patterns in the extreme registers that I have to take a bit slower, intervals that are harder to get even and in tune, and tempi barriers that I need to push past. I hope to always keep the book on my stand and my new school semester resolution is to work through different parts of it for at least 30 mins a day, mostly because the work I’ve already done for a few weeks has given me a lot of information.. plus it’s really fun!

Nicolas Richard, Graduate Bassoon Student, Rice University, January 2021

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